- Wed Aug 10, 2005 8:24 pm
#188701
Yes, same here. They sound crackly, and also like they've been recorded using the default settings for the Windows sound recorder (and yes, before you say it I am well aware you use Linux).
What settings do you use? What source do you use - DAB, DTT, Satellite, Cable, FM? If you use a digital source, do you encode them to one big MP3 and then cut out the relevant clips and re encode those to MP3 again?
Also when I downloaded the clip of Chris Moyles' mixing, I found that although the clip was mono (you could tell from both hearing it and looking at the audio level meters in audition), yet it was encoded in stereo.
Well, I'd love to listen again in stereo at 132kbps Real rather than whatever they use now (32kbps stereo). The settings they encode at sounds so lifeless, flat and generally, ugh.
I always ensure I do clips are of the best quality. I would capture from FM, but I don't have the appropriate leads to connect my stereo to the computer. Also the interference from the computer screen causes all sorts of fuzzy sounds on FM.
So I usually record from DTT to a wave file, edit the clips out and then save them to MP3 or WMA (although I prefer the latter as it does not sound so bad when you re encode it). Re encoding MPEG2 > MP3 isn't an ideal situation, though. I would capture from FM if I could, as Downcount's clip of the R1 jingle sounds really 'rich' and full of life.
David wrote:Console wrote:It must be either your speaker's or your ear's becuase it sounds crystal clear to me.
All your recordings are always crackily for me!
Yes, same here. They sound crackly, and also like they've been recorded using the default settings for the Windows sound recorder (and yes, before you say it I am well aware you use Linux).
There's a possibility it my encoding of the digital stream, because all of the clips sound identical to that. I'll have a look at the settings later and see if I can tweak them at all.
What settings do you use? What source do you use - DAB, DTT, Satellite, Cable, FM? If you use a digital source, do you encode them to one big MP3 and then cut out the relevant clips and re encode those to MP3 again?
Also when I downloaded the clip of Chris Moyles' mixing, I found that although the clip was mono (you could tell from both hearing it and looking at the audio level meters in audition), yet it was encoded in stereo.
I'm not an expert on the real time streaming protocol, but I don't think its flexible enough for what you want, and although the BBC could host multiple streams for the different bandwidths, why would they, why would the average Joe need a 128 bit download of an entire radio program. Answer; they don't, its only people that record it that wouldn't mind that feature. Besides there's probably some copywrite reason behind it on top of that.
Well, I'd love to listen again in stereo at 132kbps Real rather than whatever they use now (32kbps stereo). The settings they encode at sounds so lifeless, flat and generally, ugh.
I always ensure I do clips are of the best quality. I would capture from FM, but I don't have the appropriate leads to connect my stereo to the computer. Also the interference from the computer screen causes all sorts of fuzzy sounds on FM.
So I usually record from DTT to a wave file, edit the clips out and then save them to MP3 or WMA (although I prefer the latter as it does not sound so bad when you re encode it). Re encoding MPEG2 > MP3 isn't an ideal situation, though. I would capture from FM if I could, as Downcount's clip of the R1 jingle sounds really 'rich' and full of life.
Last edited by q on Wed Aug 10, 2005 8:31 pm, edited 1 time in total.